Watcha ar' Kid,
ALEX'S PIE STAND - NOTHING TO GET EXCITED ABOUT
There are a couple of sad git's who were musicians during the 60's in Birmingham whose personalities were such that one of the highlights of their musical lives was to buy a meat pie from Alex's Pie Stand after a gig.
I used to go there too but extolling it's virtues in a radio or newspaper interview, like it held a special place of significance in the Birmingham music scene, is simply bollocks... The hours must fly-by at his gaff!!
Alex's was just a place to get hot food in the City Centre, there was nothing else open at that time. Curry houses had not yet started to open, there was no chinese food, no Hamburgers no fish and chip shops either in the City Centre. There were always loads of bikers there who had formed a club (including my brother in law). Apart from the bikers, there were partygoers, louts, drunks, ne'er-do-wells, hookers, crooks, thieves and wino's - as well as visiting groups and other bands who had been playing in the city that night . They went there for the same reason as everybody else - there was nowhere else to get something to eat after a gig and only the better known bands were granted free access at the nightclubs.
There was a kind of clique of groups though, who were mates and didn't talk to the lesser bands who in turn, had their band of mates who sneered at the freshly formed groups who could only stand looking goggle eyed. Quite funny really.
You'd buy your pie then all pile back into the van and start talking about the other bands who might be there in the queue, "Fuckin wanker" was quite often the opening phrase followed by, "If his Dad didn't own the van, he wouldn't be in that band", a lot of truth's spoken and a lot of bullshit spread about. As for "Bands being formed there", there was more chance of that happening at a gig, where there would generally be two or three groups on the bill, or more likely inside one of the music shops that were frequented by all and sundry where one could pass a couple of hours playing some of the instruments off the wall whilst persuading someone to abandon their mates and join your group.
Just to add to the confusion, there were two pie stands.....and everyone referred to them both as Alex's
the one pictured on the Brumbeat Pie Stand page was situated by the Albany Hotel, the second was located at Snow Hill Station and was a mobile van that used to arrive around 10-ish and stay there till about 2.30 in the morning. On the side of the van was painted "Hot Snacks" or something similar but we all called it Alex's nonetheless. I have no idea and in fact have no wish to know, if Alex was the owner of both. It was just somewhere to eat, not an institution, no magic occurred there. Some people should get a life!
SWEET HOME CHICAGO
That aside, we owe a huge debt to the black Chicago musicians who provided all of us groups of the day with practically all our music. The incredible songs of Willie Dixon, Howlin' Wolf, Muddy Waters and others being changed and chopped around by groups, generally speeded up and played at breakneck speed to willing audiences of dancing girls, the sales of harmonicas and Marracas soared.
For the more serious, the influence of Elmore James slide guitar and Big Bill Broonzy's guitar work meant lots of hours of practice to get the 'feel' correct. Probably the very best blues guitarist and performer, Buddy Guy rose through the ranks of Chicago's bluesmen to become an inspiration to Jimi Hendrix, indeed, much of Hendrix' act and performance tricks were taken directly from BG.
The original, medium paced 'My Babe" became a regular in Brummie groups' set lists but now sounded completely different, certainly louder and faster. Howlin' Wolf's "Smokestack Lightnin" was also another favourite for lead guitarists. The adaptation and modification of this wonderful black music by British guitarists was a precursor to the Brits going to America and playing to the largely white audiences the same black music that was practically ignored by them beforehand; the difference now was the UK groups were light years ahead in style, inventiveness and aggresion that had come from the years of playing fast Rock n' Roll. By the time American bands got into it they sounded like cheap and soul-less copies for years.
You only have to listen to any of Led Zeppelin's tracks to recognise riffs from the greats of Chicago, now ashamedly credited to Jimmy Page, whole lines of lyrics just 'dropped in' here and there like a modern day 'sample' gave Plant songwriting credibility that belonged to some other guys......brutal copies of the real thing.
Peter Green of Fleetwood Mac always gave credit and royalties to those blues guys who he borrowed phrases from. Good Man.
THE KING BEES
Now when I was a lad there were only a few groups I would take the time to go and see. One of those bands was the King Bees, a bit mod-ish in style for my liking but as their name suggested, they were equally influenced by the blues artists and were a pretty tight band to boot. Why not take a cyber stroll onto the Brumbeat Pie Stand page to link to the story of the King Bees, nice interview by John with founding member and guitarist Geoff Brown (If I remember rightly, he played a Telecaster?).
BOB'S ON THE TOWN
I shall be doing a couple of gigs over the weekend and Monday too....so I look forward to meeting up with some of you. Oh heck, I finished this blog without telling you where I was playing, never mind, there'll be other times!!
Well I'm sure that some of you will remember this place with some affection. Kinda small but great atmosphere:
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