Saturday, 1 July 2017


Hi Guys, Brummies and Musical friends around the globe.

Goodness me, the title of this blog is long, so it should be! it's a feature packed musical smorgasbord of love, hate, egoism, treachery, despair, glorious success or inglorious failure.....let's get on with it then. 

There are some people from my musical past who I normally prefer not to discuss but I'm making an exception this month and am going to say this now in big letters about someone I knew and that is:
"Whoa, come on on now Bob, that's not like you" I hear you say.
"Oh Yeah?" Well,  
"Hold hard Bob, have you lost your mind?"
The short answer to that is "No" on two accounts, the first being that John is a Brummie Abroad and lives in California so he can't get his hands on me and secondly he definitely is a Tosser, but and an old friend too.

John was one of those who I admired and thought had real potential in every part of his 'trade craft' as a Brummie musician of the sixties.  I emphasise 'Brummie musician' rather than musician because in those 60's days Birmingham had the grittiest bands and musicians not like those Southern Jessies and John had paid his dues with The Chantelles and other bands doing that sort of music, including a short spell with The Uglys during the hospitalisation of Steve Gibbons.   
The Chantelles  (copyright J Fincham)
Far Right......the great John Fincham and his kit
Beatle boots, Burns Bass, Big voice, Big Bass speaker and Bad attitude..everything beginning with B!   It's co-incidental but I played with all of these guys in this picture but at different times, such was the movement between bands in those days.
An ex "Biz" manager friend of some repute from London told me they always went to Brum to look for RandB bands, hence The Moody Blues, Spencer Davis Group etc two of the greatest exponents of sixties RandB on the planet during their day and that's what Brummie bands played in spadefulls and competition was fierce.

If you wanted to play a bit of cabaret music you could always go to Wolverhampton for a fix of blandness.  

John possessed everything you would want in a band-mate.
A great bass player, a beautiful voice and a really good stage presence and one other important thing, he was a fun guy to be with.    We were from the same part of Birmingham and were schooled yards apart although he, unlike myself, actually attended.   

At one stage we played together in a group for a short while and had some fun and shared some great harmonies and gigs.
After that brief musical encounter we only bumped into each other at The Cedar Club or one of those other nightclubs where all the musicians would go but it was always fun when we met. 

John's story is enveloped in the ELO saga with his band Trickster so you can read all about that stuff at an ELO site should you want to.  During this time John moved out to the USA permanently and continued to be a quality player with all the B's on bigger stages.

Anyway I don't want to dwell on the past, I want to get right down to today's Nitty Gritty and that is to say that John Fincham, the man with "Everything begining with B" is alive and well, living in the mountain air of Wrightwood California and still playing gigs with his Brit Rock band of mates,
It couldn't be a better name for a trio playing good ol' fashioned, in your face, Brit Rock and there's no-one in those parts who would be more at home with this music than John, thuddin' out those great bass lines and singing the songs that are second nature to him and almost printed on his psyche.   

If you're on vacation from Birmingham or indeed if you now live in that part of the States.  Get yourself down to AMIGO'S in Ventura California for a perfect Sunday afternoon of booze with some Hot Rock n'blues Brummie style.   
When you get there, you can't mistake him, with his Rickenbacker slung down low, John 'B' Fincham and the other Tossers, Jerry Breiner and Pete Gallagher he will be giving it some!!  Say Hello, he's a Brummie and a Villa supporter so you'll "always be welcome Bab".

THE TOSSERS l-r Jerry Breiner, John Fincham, Pete Gallagher
Ventura, California 

another couple of Brummies live in the States too...


Ex Applejacks vocalist Jon lives and still performs in the Glitz capital of the world, Las Vegas.  

It's been a couple of years since I had some news from him I think but I said last time that he was a workaholic and he hasn't let me down. 

As well as being in the completion stages of his
new solo CD and single release he has just published his first Novel, based on the life of four guys from Coventry, The Fabulous Brit Brothers....a Rock n Roll tragedy!   

I'm already hooked.  It must be about me? I'm tragic, oh no it can't be I'm not from Coventry but then again I played there more than several times so it could be me, or maybe it could be FAKE NEWS! the Russians call it Maskirova and Jon could be covering up the real hero/loser character The Fabulous Bob and it's really about me.   I've got to read it quickly, fame at last!!  ....Mmmm? best get back to reality.

Jon had already written and published three factual books about the 60's days so this novel will surely be based on facts from his experiences which always makes a better read for musicians.  Getting the facts right is essential.  Good Luck with this Jon.

Also for those who might know Jon from the past.   He is now on Facebook so why not take the opportunity to get in touch with him through that medium and don't forget to like the page too.  If you're not on Facebook then contact me and I will put you in touch.

Graham, ex Brumbeats vocalist continues living in either Hawaii or Washington State depending on the season but either way both locations are in beautiful parts of America.  He is still playing gigs with his Hawaiian band and when not can be found painting pictures of the local scenes.  Is there no end to his talent?
Graham 3rd left or 2nd right!!

When I get sent a photo I don't just put it on the page here willy-nilly, everything deserves a little more investigation.   Now when me and my Boogie band have a practise it can happen that some feelings get hurt with some cutting remark about something or other you know, wrong shade of nail varnish.  Grahams band have an Hawaiian remedy for Practise Banter and it can be seen in the hand of the guitarist on the right.  It's known as the 'encourager' or in Hawaiian the "Ooee Ooee OOOee", I'm not versed in this language so you must excuse my dreadful pronunciation.  I don't believe I need to go into minute detail about how it works but the rule is...You say anything offensive, it could be up to the third OOOee.
As you can see, not only do they all look pretty pleased that it's a part of their practise regimen but they've all come attired in shorts should the need arise for a quick insertion.   Mmm, not a trace of nail varnish to be seen.

Moving now to Spain where our Brummie European contingent has been swelled by the arrival of  drummer
I knew all the great drummers in Brum and played with several of them but for me Keith Smart was probably the best drummer around to be honest.   Apart from Carl Palmer and Mac Poole, Keith was one of the few I knew who read drum music well, a real rarity for those days.  

That trained music thing was mixed in with his tremendous natural talent and his ability at holding a band together was formidable, it was very easy to get into a groove with him.  He could play any kind of music and brought a real tightness and force to any band he was with. 

I guess that Keith is best known as being one of the two drummers in Wizzard but he featured heavily in the Golden Years of Birmingham and played with many bands like The Lemon Tree, Danny King and The Uglys of whom Keith said "Probably the best group I ever played with and certainly the best memories".   

The Uglys, Keith bottom Right

When people talk about John Bonham in such glowing terms I think they should have listened to Keith a bit more because I knew them both and couldn't tell them apart, he could be as heavy as any of them.  He played sessions with lots of diverse folk including the brilliant and very underrated Clifford T Ward. Keith then joined the Rockin Berries and remained there for more years than I'd care to remember.    Always shrewd, he got on a good horse that ran and ran. From a pure music point of view I think that he could have been one of the real music greats had he taken a more adventurous musical challenge and I don't think we ever saw the best of Keith.  Sadly he has given up playing but believes it was the right move on his part.

and I agree with that because whatever keeps you happy does you good and that's a fact.

Anyway these days Keith is living on the Spanish coast running his own business which is far removed from the drastic ups and downs of the music biz whilst, no doubt, honing his golf game.   

He has a wonderful family life and from a Brumbeat point of view it's great that he's still with us but a shame that we won't be getting anymore performances from this fantastic drummer.

300 miles North from Keith we find his ex Uglys bandmate Will Hammond who lives in the deepest darkest depths of Extremadura, Spain and continues his round of Festivals and gigs including the prestigious Bejar, playing up-front R and B music. 
Will Hammond and his Band
and to quote him from last year, "It's such a gas to be playing vibrant music like this, to enthusiastic audiences, I'm quite lucky".

Ugly Days - Will Hammond  (Photo Copyright FCummins/A Lines)
His new CD "Ugly Days" will be coming out at the end of this month.  

John Singer was one of the group of promoters who shared Carlton Johns Entertainment Agency who ran the majority of the best venues in Brum including Mothers at Erdington, previously known as The Carlton and even in those days it was a great venue and hosted some of the best bands of the day like John Mayalls Bluesbreakers and The Nice and Zoot Money etc etc.  Mothers was voted by musicians as the best gig in the world at one stage.    

John lives on the Spanish coast but no longer participates in the world of music apart from his annual trek back to the UK for the Mothers anniversary
John Singer (right) with ex Carlton Johns partner Gary Surman
Who's had to come back to the UK to get a gig then?!  
Back in the UK for a round of shows with his version of ELO.  Jeff, never one for denying he wanted to be a Beatle, must have felt he was re-living The Beatles famous flying arrival at Shea Stadium moment when he flew in by helicopter over his recent show at Wembley Stadium with its 70,000 strong crowd.

Living the dream is a phrase that comes to mind.

It was a time too for another of Brums greatest bands, The Idle Race to be reunited after the event, and I believe a reunion gig was discussed but Jeff said he wanted a bigger share of the normal 25 quid for a night at The Carlton. Sharp eyed sleuth, Mandy Scott-Morgan kindly captured the moment of the negotiations.
The Idle Race 2017 (copyright:  Mandy Scott Morgan)
The Idle Race 1969
Sadly the other ELO Brummie, Richard Tandy wasn't playing that night, so get well soon Richard.

The majority of people on this page are linked to each other in some way but more of course by being a part of the Birmingham 60's music scene. On any given night of the week they all graced the stages of Birmingham or some other gig across the length and breadth of the UK together playing great music.  They drank together, had fun together and in some cases suffered at the hands of each other.  Such is the way of life in the world of music, the hardest job on the planet, but whether they are musically living the dream or perhaps regretting what greater stardom could have been, it is all consigned to the history vaults once it has occurred and in these days of rabid social media - by the minute. 
I'm glad that my memories are much longer and more deeply rooted.

Long may they all Live because we shared a unique time together. 

Onwards and upwards you Brummies.

Take Care you guys 

Copyright: Bullsheadbob

Thursday, 1 June 2017


Hi Brummies, Chummies, Mummies with Pregnant Tummies and Baby Brummies with Dummies.

It's Flaming June!!  get out the cossie.

Well you could knock me down with a feather,  last month I ranted about  a Gibson guitar strap costing 89 pounds and even at that exorbitant price it was nowhere near the most expensive I had seen.     I was trying to point out how ridiculous prices surrounding music are and especially anything that carries a brand name.  It costs enough to equip yourself with reasonable kit let alone the travelling, accommodation, food, petrol, the weekly practice session etc and I am yet to be convinced that this outrageous cost represents any real value. What a rip off!


It's very warming to report that I had more than one offer of a vintage style strap from people within a couple of days of the Blog being published which made me smile.  The first was from my Ol' mate the Skiffle King who then wisely pondered on the issue for twenty or thirty seconds then annouced that he had completely lost his memory, wise sage that he is.  The second was from the evergreen and super friendly and ex-Brumbeat musician Bob Styler of Stirchley Music Exchange, Pershore Road, one of the last independent music shops in Birmingham who sent me an old vintage strap, which I gladly accepted and which is now firmly attached to my Gibson and looks a treat.    

The huge 89 pound price that Gibson has put on their strap can't be justified
and I urge all you guys NOT to buy anything that carries a price which is so obviously inflated.   Not unless you work for the royal mint.  

Now, I count myself fortunate to get reasonable money for my gigs but there are many who may not even get to play at a venue for their entire time as a would-be musician and just end up with a pile of misery and unnecessary expense for their efforts.  I doubt you would get a reasonable second hand return for your strap?   Anyway, us Brummies are lucky though because whilst there is still a small customer friendly music shop like Stirchley Music Exchange with helpful people like Bob Styler around you don't have to spend a fortune, if you don't want to.   

The shop really targets the "beginner to Stage 2" guitarists and bassists, economically speaking, with some good models and GREAT ADVICE always on offer.   Always a good selection of strings and accessories too.  Mention my name and you might get a coffee.

Thanks again Bob.


Of all the DJ's and presenters who have graced the airwaves of the BBC I can think of no other who was more of an influence in the early sixties than Brian Matthews.    From 1957 he was the presenter of Saturday Club on the BBC and it was a must with teenage listeners, with the latest records, interviews, fun and live bands playing in the studio it was the ONLY radio programme directed at the teenage population in the UK at that time that was any good.
Brian was perfect for the job, he possessed a great music knowledge, was loved by all the groups of the day and especially The Beatles who made frequent visits to Saturday Club and the CD "The Beatles at the BBC" is largely made up of these Saturday Club appearances with Brian.

On the Beatles Anthology there is some footage of them soeaking to him on the phone during their first tour of America, heady days indeed.  Brian also famously presented,
(Brian with The Brumbeats)
at the same time, Thank Your Lucky Stars for TV, which was recorded at the ATV studios in Aston, Birmingham and on which appeared several Brummie bands.

With the changes to music trends the name Saturday Club was replaced by Easy Beat which Brian presented until the arrival of Radio 1 in 1967.

For the next few years he was involved with other projects and I was really pleased to have him back on Radio 2 presenting "Sounds of the 60's" on Saturday morning which was very reminiscent of the old days.  He had a faithful audience of "avids", as he called them who shared their musical memories of venues and bands who had escaped the clutches of stardom but had made a single or two and these rarities would make a welcome addition to my listening now and again.

Brian presented this programme up until the age of 88 and was the oldest DJ on the box.  He was treated extremely badly by the BBC and was replaced without any discussion.  Not only that, on May 5 the BBC announced his death.....except he hadn't died.   I think one can imagine just how he might have felt not only by the shameful betrayal by the BBC but to have their false announcement too, which you would think they might have confirmed.  I imagine his family were distraught....he died 3 days later!

The Press are quick to latch on to the deaths of celebrities piling praise on them for what they did for music, pretty bad that he didn't get much of that for 67 years of broadcasting eh?   Out of time I guess?

From me, the AVIDS and all those 60's teenagers who spent their Saturday mornings listening to 60's music presented in a nice familiar sort of way, I wish you a fond farewell Brian and I thank my lucky stars that I had the pleasure of your company.  

"It was fifty years ago today, Sgt Pepper Taught the band to play"

It's simply amazing that this anniversary is here, 50 years since the release of Sgt Pepper.

I recall hearing it for the first time en route with the band for a gig at The Flamingo, Redruth 1967 (Since burned to the ground), we were all thrilled by its inventiveness for the time, great melodic content and George Harrisons eastern influences.   Once in a while I sit myself down with a drink and a bit of herbal jazz and listen to it from start to finish without interruption and I am still held in awe by the sound of it's production, it's subtle nuances and ambient harmonies and naturally the songs and no matter how many times you listen to the climax of Day in the Life it still lifts the top of your head off. 

I have the album on vinyl and CD including the
re-mastered stripped down CD

and every one sounds brilliant but with subtle differences and every song was  
recorded on a 4 track tape machine which is the most astounding achievement.   

To celebrate this Anniversary there is of course a music release and apart from the people who have never heard this before, I'm afraid I really am beginning to think it's wearing a bit thin, flogging the album to death in every conceivable form and I definitely won't be taken in by the line "At last The Beatles have authorised a Super De-Luxe Edition"....

With the Super de Luxe at roughly 100 quids it doesn't have anything that I want to hear and I can't see the benefit of listening to it in 5.1 thanks because I have the recordings I like. 

However, if you are recently into The Beatles or you're looking for a nice birthday present for someone it might be a nice gift

It comes with 6 CD's and a few buttons and bells for you or a loved one to indulge themselves in, so enjoy!   It's better to give than to receive.

It would appear callous if I don't mention the recent Manchester tragedy but I don't wish to give credence to these bastards.  Birmingham suffered it's own share of terrorist acts with the Bombings and the loss of 21 innocent lives.  I am pleased to say that finally after all this time by the campaigners and brilliant work of Brummie muso's Phil Hatton and Dave Morgan to highlight the injustice for the 21, there has been some legal movement giving them the right to legal aid to pursue some kind of resolution.

OK you guys I'm in a Cliff Richard "Summer Holiday" vibe and Mrs Bob is waiting in the garden dressed as Una Stubbs?  Anything could happen...

Next month Brummies Abroad et al.....


"Doo doo-do-doo do doo-doo"

Copyright:  BullsHeadBob

Monday, 1 May 2017

Bulls Head Bob May 2017 - CHESS RECORDS best label ever? SHOCK AND AWE - Are you fully Accesorised? Keep fit for Brexit, Mrs Bob's Fat Behind.

Hello Brummies,

Happy May Day to all you guys, You're probably packing the kids in the car and hitting the road to spend a day on the beach so have a nice time.

When thinking back about the first days of Rock and Roll recording studios we automatically think about Sun Records and Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash, latterly known as the "Million Dollar Quartet" because of this photo taken in Memphis at the Sun Records Studio, indeed they were the rebels of their day and the youth of the free world knew them all.   They were the purveyors of the music of the Now generation and most parents hated them with a passion.
They were all exciting, the music was intense and of course Elvis had wiggly hips which caused chaos wherever he went.   Of those four and despite Elvis' looks, demeanour and obvious talent, Jerry Lee was the real rebel and stage showman.    Great as they were, there was one obvious point about them, they were all white!  Sun Records was founded in 1952 and America was still steeped in racial exclusion. 

533 miles away lay Chicago a busy industrial city on the Mississippi, a trade hub with a massive population and a large black community.   In 1947 a Polish immigrant called Leonard Chess bought a stake in Aristocrat records and later on took over the company and brought in his brother Phil, changing the name to CHESS.   Aristocrat Records had already recorded Muddy Waters in 1947 and his second recording on the label "I cant be Satisfied" was a minor hit but naturally only in the black community.     The Chess Brothers started recruiting mainly black artists and in 1950 the first CHESS release was Gene Ammons with "My Foolish Heart" which produced a good hit for the label.  The same year Alan Freed had passed on a doo-wap group called the Moonglows who went on to have several hits too.

In 1951 CHESS formed an association with Sam Phillips who passed onto them the first Rock and Roll release with "Rocket 88", Sam Phillips was yet to form the Sun label.  Although history states that Rock Around the Clock was the first hit it should be said that it was the first hit for a white audience.

The label built up such a great stable of artists including Etta James, Little Walter, Muddy Waters, Bo Diddley, Willie Dixon, Buddy Guy, John Lee Hooker, Memphis Slim, Elmore James and of course the incredible stalwart of Rock, the fantabulous Chuck Berry. 

With the advent of Beat Groups of the 60's there was a constant search for new material to play and the CHESS catalogue of songs fitted the bill perfectly and the old white Rock and Roll was neatly tucked away and forgotten about.  Chuck Berry was king and we all played Johnny B Goode.  In the later blues boom of 62 nearly every band was hungry for material and life was good for CHESS as musicians scoured the record shops for old blues recordings.   For me it was the high point of British rock with everyone trying out their own interpretations of these classic Black songs.    I love the recordings too, full of excitement, atmosphere and feeling.

I would go so far as to say that this was probably the most influential record label, more so than SUN.   I love practically everything that was recorded there and I really recommend getting your hands on some old CHESS vinyl recordings sit yourself down and revisit those days of great basic music. 
The Founder Phil Chess died last year, one of the most important men in rock music ever so don't forget his name. 

There  is a film "Cadillac Records" with Beyonce Knowles as Etta James which is worth a look at too if you have the inclination.

I think that probably, musicians are clinically bonkers, hibernating in a bedroom or garage all night practising, spending everything they have to improve their sound and their equipment with little chance of any success especially these days.   Nothing changes with time either, you have to pay your dues, make your mistakes, get shafted a few times by unscrupulous managers and stabbed in the back by your musician "mates" who you believe are in it with you but the reality is that they would eat their own faeces to get success so crapping all over you is no problem at all for them.

Well when I say that nothing changes with time I am wrong in one sense and that is, there isn't anything cheap any longer and if it is cheap then you can almost guarantee that you will be paying for constant repairs or upgrades. Quality comes at a price.   I have just bought a Gibson Les Paul Double cut and thought I would get myself a comfy strap to go with it, I don't like the nylon straps you get these days.   OK Bob, off we go to EBay which I use as a virtual shop window to see what the going rate is for new items.

In the old days when you bought a guitar the shop would generally throw in a strap or even a guitar case, such was the service in music shops of old.  
I'll get a branded one I thought with Gibson printed on this

Looks comfy, I don't like the plastic clips which remind me of a back pack but it is what it is, a guitar strap.

F**K me!!   88 Pounds!!!! and this is not the most expensive either!

Half an hour later I had found two old leather belts in my wardrobe, measured the distance over my shoulder, then I took them to the Cobblers and had them sewn together with eyelets at either end for 3 quid.   I wrote Bob on one of them as a trade mark.   

Me and Mrs Bob are making plans for the country's eventual exit from the EU in 2 years time.   We have been reading all the doom and gloom reports that food prices will skyrocket for us merry Brexiteers and that the Chancellor of the Exchequer is mulling over shagging up our pensions too so we have decided to slim down in preparation.  Mrs Bobs group of leotard wielding ladies are hard at it and can be seen below at a recent press launch of their new slimming method called  "DRIPPING FAT BEHIND"?  
Mrs Bob centre and the FAT BEHIND group
You can just spot me at the back with a shovel ready to scrape up the residue fat off the road and make it into candles or "Merkelbusters" as we like to call them.

Right you guys off I go for a day of merriment.

Isn't it strange that of the 396 people who have been a member of ELO only two were at the Rock and Roll Hall of Fame awards, Jeff Lynne and for some reason Hagrid?

Take Care


RECENTLY REFORMED BANARAMA when asked if they were going to at least try to do some 2 part harmonies said "It's impossible, there's 3 of us you see!!". Glory days

Saturday, 1 April 2017

BULLS HEAD BOB APR 2017. Hang the guilty bastard. The Gibson Les Paul Special doublecut 2015. BRUM BANDS UNITE STEVE GIBBONS GIG.


Well, here we are again 1st of the month and as usual people will be logging onto the blog to see what wonders await them.  It is April 1st but I'm not going to try and pull the wool over your eyes although you could forgive yourself for thinking so last month. 
There's always a way to see if your blog is being read and that is to make an error and think you can get away with it, you soon find out from emails that you definitely can't pull the wool etc. 
In the old days of membership of The Old Kit Observers club, " TOKO" an error could be punished by having an aubergine forcibly inserted in yer back passage. I am a member of TOKO and last week, to my surprise discovered that this rule hadn't been superseded.

I can tell you now that, it was painful at first, but the vegetable softened up over a week or so and life got a bit more bearable.  Luckily for me the TOKO Enforcer "Eric the Inserter" turned out to be an Uncle so it was "thin end first" with a light coating of Brylcreme.   He sung "Love me Tender" during the Insertion which I have to say did have a soothing effect............. I thought to myself, he would sound so much better with a Binson Echorec.

In my Italian flavoured blog, last month, I included a picture of an Echo unit saying it was a Binson but in fact it was a Klemt clone.   I did know that but, as usual I was stuck for time and hoped I'd get away with it??

So to all of those who adore Binson Echorec here's a picture to warm your hearts.  It is a thing of beauty that I have never owned but I did know several people of note who used them to good effect and others who used the effects to make them appear better.  The superior and Italian Binson Echorec 1 and 2 are the ones to get if you can, great for small venue vocals too. It looks so groovy and as a result of it's looks and sound this machine became a well known as a style statement so it was not suprising that other look alikes would follow.  The Klempt I showed was a clone Ecolette and was tape operated as opposed to a hard drive Binson.

I apologise to, nay I applaud you eagle eyed guys for pointing this out so now and in an SAS like operation in the dead of night, when even Plooki, my Japanese Loft Boy fan, will be asleep I shall do a quick replacement. 

Oh yes, as a token of my gratitude you are cordially invited to a slap up aubergine meal at Brumbeat Towers.

In 1963/4 as a young sproglet and armed with my Wilson Rapier and my RSC 8 watt amp I ruled the world of The Shadows, there was not one tune I couldn't play.   I had so impressed my lovely Mum that she said that I deserved a better guitar now that I was playing with a group at youth club level and albeit very amateurishly.    I naturally wanted a Fender Stratocaster like Hank and started looking about for a quality item knowing that the Strat was way out of my economic zone, the natural progression from a Wilson would have been to get a Hofner V3 like my mate Oggie but I decided to take 'one step beyond' and go for something really good.

I was in Ringway Music one day, in the early days when it was small shop, and a Gibson Les Paul Junior was un-packed and hung on the wall.  No tremelo, one pick-up but there was something brutally basic about it that really appealed to me, plus the fact I had seen Mick Walker of The Redcaps playing his Gibson bass and I loved the body shape and it's blood red colour.   On taking it down and feeling it in my hands I knew she was the girl for me 

I spoke to Pete Oliver about it and he recommended a different guitar, something that could be more of an all-rounder but I was hooked on getting this guitar and my Mum got it on the newly available Hire Purchase, the price was 48 guineas or thereabouts plus a bit more for a case.   I loved that guitar and having already bought a second hand Selmer 30 watt Bluey Twin we blasted our way through You Really Got Me and all those rasping classics of the early to mid 60's. 
It was a great instrument to play. 

As the years progressed I purchased other Gibsons including SG Standards and finishing with a 1956 Gibson TV.   I traded in my original Les Paul Junior back to Ringway Music in 1968 for an electric piano to enable a pianist who had no money to join the band I was in.  I like to think he just forgot to give me the money for it but he did quite well as a result.

Anyway, in the last blog I suggested that it would be a good idea to invest in an early Italian guitar if only for the sake of style I thought that a budget of 500 pounds should get me something good, if I looked hard enough.   I started looking but on the way tripped over an advert for another stripped down guitar, one volume, one tone, one pick-up selector switch and my Italian dreams bade me "Ciao" and I once more fell in love with this Gibson guitar and after doing my homework bought it straight away.  Didn't even try it out at the shop so sure was I.

The Les Paul Special Double Cut 2015.   This guitar was around 700 quid when released but I managed to get this one brand new for 518 pounds, including hard case and postal charges.   It comes equipped with the G Force tuning system and its hot!!   

This guitar is not without it's detractors who lament the
tuning system and the "Les Paul 100" logo, one even complained that it has a holographic sticker on the back of the headstock depicting Les Paul, what difference does that make to the sound of the guitar??? what a dork. Honestly lets get real!

What some others mention though is that, this is a brilliant guitar but does take some mastering to get all the tones.  I can see why some people have had a difficulty getting around this guitar.  It takes a while to get accustomed to the much wider neck profile but I found after a day or two its just fine, you have to persevere to get the best results.  It was stated by Gibson that it was to help with bending, personally it doesn't make any difference to me but may aid others.  I like the neck though, great if you play slide too.   More controversy is about:  
The G Force tuning system has come in for a fair amount of criticism and I will say here and now that when I first tried it I was disappointed that it didn't appear to do what it said.   I was all over the place trying to make the soddin thing work properly, however, if you disregard the pretty-near useless instruction sheet supplied by Gibson which is pitiful and go immediately to You Tube where some folks have uploaded it's functions you will save yourself  a considerable amount of heartache and will learn to embrace this great tool in a guitarists armoury and once you've mastered the basic operations of tuning and restringing, you're away.  A push of a button plus a couple or three strums of the guitar and its back in tune.  It can be as easy as that and for me a treasure for on-stage work. 

I will leave those bemoaning these features sat staring at their Les Paul in its protective case thinking to themselves how lucky they are to have a Gibson with the right amount of screws on the scratchplate.  I on the other hand, will be thrashing the shit out of this thing getting it to scream like its basic predecessors.  In fact I would like to thank the detractors profusely for giving this guitar and its add-on's a bad name allowing me to buy a GREAT brand new guitar that I predict will become of those guitars you wished you had bought yourself.

It's no longer in production and is not available at most guitar stores.


To let you guys know that there will a concert this month at Birmingham Town Hall in support of the Justice for the 21 who sadly lost their lives in the city bombings.  The gig will feature the great Steve Gibbons, Quill and Dave Morgans Morganisation along with others and should be a treat for the ears as well as supporting a worthy cause.

OK, here comes Spring so get your motors running.  I'm off for some Gibson finger blistering.

Hope you get an Easter Egg.


Wednesday, 1 March 2017


Hello Maties, Muso's, blueso's, boozers and cruisers, Brummies, Brumettes and my overseas mates in Japan and Australia.

Its been some time since I featured a range of early guitars from the 60's so without further ado lets talk Italian.

During my plukey youth I would glue myself to guitar shop windows and be amazed at the bizarre shaped solid body guitars hanging on the wall, not only were they generally ugly as shit or looked as though they had been built from spare radio parts, even those ugly ducklings were few and far between. That would soon all change.   

However, twixt and between those weird guitars there were some guitars fabricated in Italy which at least had some nice style to them, as only the Italians could do and one of those incredibly rare brands was MARINUCCI.   Marinucci had been a music factory producing accordians since the 1920's but changed to making guitars during the 1950's and the upcoming guitar boom of Rock n Roll and Skiffle.

I remember seeing this guitar and saying to my pal that it looked like someone had taken a bite out of the body.  The model was the Gemelli 224 and came with either 2 or four pickups the four pick-up job being named the 224-4.

Italian styling made this different and especially the rather attractive scratch plate with more than a nod at art deco design. The stripey part resembling piano keys or of course accordions from where the instruments originated.

The controls were inset into the upper part giving pick-up selection and a couple of volume controls.

Gorgeous scratch plate, the badge was the the crest of the town where these were built.   This is a beautiful guitar I don't even care what it sounds like to be honest 

During the early 60's MARINUCCI sold the factory to EKO so if you are lucky enough to have a MARINUCCI badged model it is very collectible.


Another Italian designed guitar and also manufactured by another company that had previously made accordions.

This guitar is reported as being the best sounding guitar of its day and was quite potent.  It didn't have lumps chomped out of it either.   Like most of the Italian guitars it had a tremolo arm centred on the tailpiece.  It's looks are more "Atomic Age".  Quite a nice headstock, a bit Fender Jaguar-ish

Like Marinucci they were soon swallowed up by EKO who then fabricated all guitars with different badges for UK traders or for Department store "own brand".
This guitars neck gave access to the uppermost fret.

It has a kind of styling that today one might associate with heavy metal Jackson type guitars but the Albert Lee HH guitar has practically the same body style.

EKO were amongst the big names of guitar production in the early days and they bought out smaller Italian guitar makers by the handful whose styles and designs were incorporated into the Eko brand and one of those carrying on the "Bite mark" is one I haven't featured before on the blog and that was this very pretty EKO Melody triplecut.   

Being Italian though they had to move the bite to another part of the guitar? anyway, 4 pick ups, a shed load of Atomic Age rocker switches and two rotary controls.   Inlaid neck and black headstock, it's all very attractive in comparison to the Czech built rivals that were about.  

EKO 400-2/4

This was probably their finest moment, design wise.  This is a thing of spartan beauty and was available as a two and four pick up variant.  Style was certainly more of a consideration than practical use by the Italians with their habitual placing of the controls in front of the strings was not really well thought out in terms of practicability running the risk of changing your settings every time you started strumming.

The internet is full of sites where you can get a good look at the whole range of EKO guitars, the best probably being Vintage Guitars so look them up and drool over some lovely old examples of early guitars.

Emotion and guitar snobbery aside there is something to be said about collecting Italian guitars.  They are readily available and you stand a good chance of being able to pick a great condition, genuine 60's guitar, for less than the price of a new brand name guitar but now with a good potential for a profit a couple of years down the line whilst still being able to enjoy owning something so nice.    Whereas, the brand new guitar you may have just bought has already lost a third of its value as you walked out of the guitar shop door.

It isn't comparable to a Gibson or Fender for in terms of tonal quality, although with top end names being fabricated in Korea and China their quality is an issue these days.  It is worth a thought.  It's fun tracking guitars down on the internet, certainly mare fun than tracing your ancestry!!

If you have one of the above guitars it would for sure sound remarkable through a Binson echo for that old rock sound.  Made in Milan from 1961 onwards, Binson was THE echo chamber to have and was Hank Marvins choice and later David Gilmour.  Meazzi also featured as another Italian echo chamber of note.

I recently came across this though which is probably the creme de la creme of Italian amplification:

This fantastic bit of kit is an Ecolette four input amplifier with an ecolette echo chamber built in, its so nice I can imagine a real nice surf sound through this baby.

The Americans and Japanese didn't have it all their own way.  I love Italian kit and am considering an investment myself in the not too distant future.  Get looking and grab yourself a piece of history for a few pounds.

Take Care

Copyright Bullsheadbob
Contact:  Bobsbullocks

Wednesday, 1 February 2017


Hello you Musos, Brummies and chummies,

Well here we are in February, freezing our nuts off and all feeling depressed after the Winter celebrations.   Towards the end of last year we saw a cluster of deaths in the music field, it was almost like a flurry of grief that blew in but found itself eclipsed by other events.   I thought all that was behind me for a while but it came as a real shock then to hear of the passing of Spooky Tooth drummer Mike Kellie in January.

Mike Kellie Left (standing). Luther Grosvenor Right.
Mike was a lovely man, and I really mean that, a lovely guy.  I can almost picture myself meeting up with him at The Elbow Room back in the day as the bands would cruise back into town after gigging somewhere to have a beer and talk about music.

Mike's music pedigree is fantastic and the coolest of the cool dudes would search him out to give their music some nice rythmns.  

I know for sure that there will be many Brummie tears shed for this guy.

Why not visit the Mike Kellie website by clicking below.

We also said goodbye to:
A couple of days after I heard about Mike another musicians death was reported.  Bassist for Mott the Hoople, Pete Overend Watts died of cancer. Although regarded as a London band, Watts was born in Yardley then moved out into the Herefordshire area before moving to 'the smoke' and making it after David Bowie gave 'All the young Dudes' to them to record.

Overend Watts second from right.
The rest was history as they say.  Shortly after this Guitarist Mick Ralphs left Hoople to form Bad Company with Paul Rogers.  Luther Grosvenor, guitarist for Spooky Tooth, pictured on the Spooky Two LP cover with Mike Kellie joined Mott so I guess there was some old connectivity there.

I'm sure that, like me you have tuned into Radio 2's Sounds of the Sixties with legendary presenter Brian Mathews.   Brian has presented this show for the past 26 years and I have enjoyed hearing some old rarities on the show from time to time, even my own!  The great thing about the programme is that it answers the call to the many listeners who requested significant tracks from the 60's alongside those rarer recordings that had been made by regional British bands.   
Brian had been the host on  ATV's Thank Your Lucky Stars which was one of the first TV shows dedicated to youth music and was the voice of Saturday Morning Saturday Club on the Radio which was the radio show that ALL teenagers of the day listened to and where we were treated to bands playing live sessions in the studio, it was the best show on the Radio.

Well Brian has decided at 88 years old he has had enough of this malarkey and is stepping down from broadcasting, although a little bit of ill health has been the prime mover I'm sure.   

He has done a stirling job for British music of the 60's and I would like to thank him for his dedication.

I wish there was a bit more riveting news to throw your way but there's not a lot of anything going on, to go on about.   However it is the month for lovers so give her indoors a nice present, you might actually get one back yourself, although in my case that's never been the case.  Am I disappointed? am I bollocks!  Why should I expect something..."You're so difficult to buy for" is the excuse that us blokes have heard a million times, or perhaps it's just me? 

My mate bought his wife a really nice gift for Christmas, I remember him going on about it in the pub and "How chuffed and surprised she'll be when she opens the box".
That isn't always the case my friend.   This advert appeared two weeks after Christmas.


This is lulu, she is an 8 week old labrador

I bought Lulu as a surprise for my wife but it turns out she doesn't like dogs and is allergic to them.

We are now looking to find her a new home.

She is 64 years old, an attractive and caring woman who drives, is a great cook and keeps a clean house.

That's it from me maties, see you next month and hopefully with some news that is a little more 'warming'.

Love the one your with.


Copyright Bullsheadbob